This is something I wrote a while ago and never posted, for reasons I no longer remember. It's not a resolution, but it seems as good a manifesto to start off this new year as any.
I started on LJ with a very annoying style, that of the cute precocious kid who was too old for that twee stuff now but hadn't yet learned what to replace the too-clever, artfully structured, neatly-tied-up-with-a-moral-at-the-end kind of writing that'd made my high school English teachers love me.
I like to think I've improved a bit since then, but I do still tend to write only when I've got something that will amuse or interest what I imagine my readership to be. So vehemently did I resist the everyday updateishness kind of journaling that my LJ wasn't a very good way to find out what was going on in my life: I'd happily write all about having Chipotle for breakfast but never mentioned that I had a girlfriend, or failed a class, or moved, or the kind of basic stuff that people usually tell each other when they catch up after some time apart.
It's a bit hypocritical of me, because I love to read that kind of thing from other people: I love reading about your dreams and how you got caught in the rain on your way to the bus stop and what you're making for dinner and what you drank last night and how work went and everything. Absolutely love it. But I've never been very good at telling that stuff for its own sake myself.
So it was kind of interesting for me to read this
article on how writing about the ordinary experiences of your life can be even more cheering to you when you go back and read them as the extraordinary ones.
It turns out, people are bad at predicting how much they'll enjoy reading back what they've wrriten about their lives.
Which, actually, doesn't surprise me because I had to read Our Town
in high school and it fucked up my brain, it appears, permanently. It's a play about ordinary boring small-town early-20th-C. Americans who do ordinary things like be born and deliver the milk and get married and all that.
The part that's always stuck with me is Emily, at the end. She's a young wife who's died in childbirth, and we see her among the dead, people she recognizes from her little town where nothing ever changes much. Those who've been dead any length of time don't feel any great connection to the living world or the things that mattered to them while they were in it, but Emily is new and still attached to what she loves. She wants to re-live her life. The old dead folks tell her that it's possible but advise her against it. She insists, though, and sees her twelfth birthday: her mother is up early nagging the children to get ready for school, her father comes home with a present for her. Small talk is made about the cold.
Emily starts out very excited -- "Oh,that's the town I knew as a little girl. And, look, there's the old white fence that used to be around our house. Oh, I'd forgotten that! Oh, I love it so!" "Oh! how young Mama looks! I didn't know Mama was ever that young" -- but as she watches the conversation unfold, she starts to get agitated: "I can't bear it. They're so young and beautiful. Why did they ever have to get old? Mama, I'm here. I'm grown up. I love you all, everything. I can't look at everything hard enough."
Finally she says, "I can't. I can't go on....I didn't realize. So all that was going on and we never noticed."
Well, ever since then, I've
fucking noticed. Reading that play made me cry, not in class but after, and I think quite a few of my tears since have been shed thanks to this, in some way. Because I too grew up in a small town where nothing ever seems to change much, and while of course I didn't die I did move away, and that has had a similar effect to me: I'm still here, I can see it all in my memory, but they can't see me and they don't know how much I treasure these images, these people, their ordinary lives.
So I'm trying to practice writing about the everyday stuff that I have so long been so bad at. Let's see if it gets me anywhere.